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Showing all news in Opinions & Analysis
Outgoing CEO Tony Grybowski reflects on the importance of a future-focused, long term vision for the arts.
Opinions & Analysis
William Kentridge shared wisdoms of life in the studio – including embracing stupidity, bastardry and saying no – during his recent visit to Sydney for his AGNSW exhibition.
Opera is not an art form that often makes it inside the primary school classroom. Livestreaming can reach students in areas of the country where touring is almost impossible.
Claiming a formerly safe Liberal seat will create greater visibility for art and culture. The Arts Party head to the Wentworth by-election with the message: use your preferential vote.
What do the politics of the Australian and the New York independent arts scene have in common? Surprisingly, quite a lot.
NAVA’s Esther Anatolitis turns to UNESCO and Canadian legislation with the Status of the Artist Act as a guiding model for Australia.
Roadies are responsible for getting touring bands on and off stage, and around the country. They’re also at much greater risk of suicide than the general population. Stuart Coupe reports.
New Zealand's Prime Minister and Minister for Arts, Culture and Heritage says art should be for the many, not the few.
Politics, policy and passion set the tone for August 2018.
Anni Davey joined the Flying Fruit Fly Circus as its new Artistic Director in July. She reflects on a mid-career shift from freelance director to the artistic leadership of a nationally treasured youth circus.
Too often conversations around the careers of artists can get lost in the abstract. To counter that, Queensland Theatre Artistic Director Sam Strong gets practical.
In this opinion piece, Adele Schonhardt and Tahlia Azaria reflect on their experience of business school and its impact on their arts careers.
Revolution or evolution? With a survey of the Major Performing Arts Framework underway, AMPAG's Chair, Deputy Chair and Executive Director argue the case for evolving the current framework.
Support, connection, self-trust and being truly heard: for young people in Launceston, Stompin is far more than just a youth dance company.
The majority of the Major Performing Arts companies offer up 'a cocktail of timidity, mediocrity, heritage, and tourist arts’, said Big hART's Scott Rankin. He has called for a bold reinvention of the MPA framework.
What can be done to stop performers falling through the gaps between tax, superannuation and social security systems?
Artist Brook Andrew and Monash's Dr Jessica Neath shed light on the international perspectives to Aboriginal Frontier War Memorial Research, in the light of recent public debate.
Gender, ethnicity, orientation, age, shape, ability – everything that defines a character can be dictated by the playwright. It's time playwrights became proactive about writing diverse characters.
A snarky account is generating glee in the Twitterverse.
While artistic specialisation has clear value, it can also limit one's creativity. Sometimes a new collaborator is required, to push you out of your comfort zone.
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