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Showing all news in Opinions & Analysis
Recruitment is now underway for the next Australia Council for the Arts CEO. Here are some of the key points applicants should be considering.
Opinions & Analysis
Sport excels at creating the kinds of universal metaphors and epic narratives that artists always strive for – so why is sport so often reviled in the arts world?
Contrary to hype around this 'MONA effect', the museum’s benefits do not seem to be being shared with Glenorchy, the municipality it is located in.
If the present demographic of arts leadership is to change, then gender equity at every level needs to be addressed.
Artists do their best work when they feel confident to play, when they feel they are not being judged, when they are spoken to with respect.
In the era of the gig economy, one of the core skills all artists and arts workers need to master is how to be employable for life.
An American study shows that in our climate of fake news and hyped media cycles, stability and trust is found in the stories museums tell.
This week’s Meeting of Cultural Ministers has the opportunity to be ambitious and end the fight between sectors and art forms, argues NAVA's Esther Anatolitis.
Recent events may have left some artists questioning the validity of the Fringe model. Simon Abrahams, Creative Director/CEO of Melbourne Fringe, explains why Fringe Festivals are still an important catalyst for creativity and cultural democracy.
No budget cuts to Australia Council funding isn't good news.
The leadership of any organisation in sport, the arts or the corporate world must have a clear understanding of its values and standards, and be able to react to a breach straight away.
Artist Vernon Ah Kee believes there is an endemic problem that sits core to our galleries and the way we talk about Aboriginal art, which can only be solved by empowering black voices.
Esther Anatolitis offers a fiery response to a missed opportunity, saying the Arts2025 summit spiralled to a point where all focus was lost.
Art can be considered a solution to burnout, due to the therapeutic capabilities art offers those who engage with it.
The full text of Wesley Enoch's keynote address at the National Play Festival 2018.
Three very differently scaled institutions, in three different countries and contexts compare notes on how they ethically represent their communities.
An open letter to the classical and orchestral sectors about the mistreatment of female artists.
By calling out the perpetrators of gendered harassment, NAVA hopes that many more people can come forward with confidence.
Five years in development, plans for a Sydenham Creative Hub have been struck down, leaving artists and arts workers angry and despairing for their city's future.
We explore the challenges facing Tasmania’s creative industries in the lead-up to the state election on Saturday 3 March.
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