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Showing all news in Features
Instead of a single artistic director, the 32nd New Zealand Festival of the Arts features three high profile curators, Bret McKenzie, Laurie Anderson and Lemi Ponifasio, each programming a separate week.
Indigenous voices are finally being acknowledged as important voices in Australian galleries and museums.
This week at the Aussie box office we receive an object lesson in the disparity between commercial success and critical acclaim.
Assembling an entire subscription season in just three months was the first of several challenges actor-turned-Artistic Director Mitchell Butel faced in his new role.
A new song-cycle explores an important Australian invention, the now ubiquitous black box flight recorder.
What our office has been watching, hearing and loving, featuring an unexpected recommendation from Werner Herzog.
From upcycling to reducing packaging, artists look at how they can limit the damage their work does to the environment.
We learn by failing, but rarely talk about it. Here, artists and arts workers from diverse sectors reflect on what their mistakes have taught them.
The decision to move UWA Publishing to an open access model is an experiment doomed to fail writes Emmett Stinson.
Perth’s home of independent theatre has nurtured the careers of countless artists over the last three decades. Now its management are focused on ensuring the Blue Room is future-proofed for coming generations.
As Christmas creeps into the box office, we take a look at whether audiences are feeling the festive spirit.
Whether draining his own blood to use as paint, burning his artwork or painting a gallery white-on-white, Mike Parr has shaped Australian art. We caught up with him about his enigmatic upcoming Carriageworks exhibition.
Moving properties from public hands to private developers radically shifts who has access to these spaces and the culture they help create.
Given the current state of arts funding, Artistic Director Luke Kerridge is taking hope from the turbulent birth of Barking Gecko Theatre in 1989.
Ahead of the NFSA's Digital Directions conference, screenhub talks to Jon-Paul Dyson of The Strong National Museum of Play.
New Zealand's progressive PM has much to teach other world leaders in her championing of the arts and compassionate government. As she looks to an election next year, we look at how her leadership has shaped the arts.
Festivals play a vital role in commissioning and co-commissioning work from small to medium companies and independents. Without them, the arts ecology would suffer.
On the cusp of its second iteration, we look at how this art event is busting open 'outpost syndrome' by commissioning international artists to focus on local histories.
How do we create intimacy in an audio story that is plausible, genuine and keeps the listener engaged? We speak with two producers about their podcasts.
The supported studio model is one way of tackling some of the barriers artists with disabilities face in pursuing their goals.
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