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At Remix Sydney this year, Kim McKay spoke about museums finding new audiences and leading our national conversations.
Multi-disciplinary artist Janet Laurence reflects on what has changed in her 30-year journey of working with nature, and why Australia is still so far behind when it comes to healing and wellbeing.
An opera staged in a bathroom is delivering an important message about gender roles and equality.
ArtsHub sat down with Brook Andrew to unpack the motivations behind his selection of the first 33 artists for 2020 Biennale of Sydney, announced this week.
Alice Muhling, Executive Director at Emerging Writers' Festival, spoke with ArtsHub on ensuring 100% accessibility to all festival venues and her vision for the organisation’s future.
A three-day forum in Brisbane will interrogate the operatic form and consider opera’s place in contemporary culture.
As a self-appointed ambassador in a gold lamé suit, Lim takes conversations about identity, dislocation and racism into regional SA and NSW.
The criticism plaguing VR is that while it is great technology the content is dismal. Artists are pushing the form through new commissions at ACMI.
From small companies to peak bodies, we’ve canvased the country for expectations of the Federal Budget.
After a decade of steering the Art Gallery of WA through the highs and the lows, Director Stefano Carboni prepares to step down in July
Essentially a lobbying body, WA’s Chamber of Arts and Culture sits between and across government, business, philanthropy and arts organisations for effective policy change.
What drives a collector to amass artworks, build a multi-million dollar museum to house them, then happily hand it over?
A new installation created by Perth-based artist Bruno Booth gives insight into the hostile infrastructural environment which people living with disability have to navigate.
Brookman looks back on the challenges and highlights of his term as Artistic Director after seven years at the company’s helm.
After several seasons of her live art comedy, Bron Batten has realised the show says more about how men behave with women than about the vulnerability of dating.
A panel at the Fair Play Symposium highlighted that ‘the need for change can be met with defensiveness and discomfort’.
After two months in the role, ArtsHub speaks with NPG’s new Director, Karen Quinlan, about her international aspirations and understanding ‘the love’.
Beautiful and athletic bodies are all well and good, but senior dancers bring refinement, emotional depth and a wealth of lived experience to the stage.
Adopting a measure of austerity in his first year to plan for a rich future, SA Premier and Minister for the Arts Steven Marshall outlines his vision for the state, which puts its faith in sector-driven recommendations.
In her keynote speech at the Fair Play Symposium, First Nations curator Genevieve Grieves analyses what it means when we say ‘First Peoples first’.
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