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Launceston’s annual arts festival is the perfect blend of community event and high culture. Here are our recommended highlights.
Award-winning printmaker Mark Graver has four tips for any artist wanting to kickstart their practice.
Phoebe Waller-Bridge's writing on Fleabag is as formally intriguing as it is emotionally complex.
Kim Carpenter, the founder of beloved visual theatre company Theatre of Image, is closing his company after 30 years.
A model for artists’ studios in Western Sydney shifts the paradigm from mere workspace to career catalyst – at a time when artists most need it.
From immersive theatre to burlesque, to a cabaret for children, the end of the world is trending at Melbourne Fringe.
Independent creatives share tips for dodging distraction when working from home and how to set up a work space that works for you.
England has led this independent Newcastle gallery to great heights, including rebranding after closure and growing it to national recognition.
This week celebrated Aboriginal actor Ursula Yovich will perform on stage for the final time.
What can you do as a consumer to support a living wage for artists?
How can a virtual reality experience affect us once we’ve taken the headset off? We speak with two creators whose work taps into the psyche through the psychedelic and supernatural.
Jane Clark of Mona is actually paid to write 'art wank' for a living. Here she talks about writing the micro-essays that guide you through Hobart's acclaimed museum.
Film festivals are an endurance test but there are techniques to ensure you get the most out of the opportunity.
Gender diverse and non-binary creatives share tips on ways to make a workspace safe, inclusive and respectful.
Hyperlocal, decolonial, diasporic, idiosyncratic – how Australia’s international arts programming is changing.
Digital literature is embracing experimentation. Here are ten significant works of electronic literature you should know about.
From ghost nets to urban collectives, to infiltrating white fella institutions and busting the gatekeepers through mentorship, Aboriginal art activism finds many of its origins in Queensland.
As a boy from Western Sydney who left school at 16, and fifteen years later was exhibiting at Venice Biennale, Gladwell speaks to ArtsHub about career fatigue, staying true and punking it out with materials.
‘Intimacy can be anything from holding hands, looking into someone’s eyes, sex, dancing, masturbation or nudity.’ Miriama McDowell tells us about her new role in the arts.
From gender neutral bathrooms to the use of language, we speak with arts practitioners who are championing more inclusive workplaces.
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