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Sydney Theatre Awards announced as Queensland’s Matilda Awards and Tasmanian Theatre Awards reveal nominations.
This production found its magic moments in its choreography and score, but was otherwise plagued by gaps in storytelling.
MissCast is a beautifully constructed, perfectly delivered show by two seasoned performers who are doin’ their thang and bloody loving it.
A book like this, which is about marriage equality and democracy and yet is suitable for children and adults, is an achievement.
From his balcony overlooking Sydney Harbour, Hawke sits down with Rielly to talk love, politics, friends, foes, and death.
Storm Boy is a tad fragile but came out well enough to provide hope and will probably have a long life.
The list of Australian winners at Flickerfest brings new names to the festival circuit. We will hear more about these.
Following five Labrador puppies in training to become guide dogs, this straightforward documentary is both charming and standard.
Create NSW’s new toolkit for diversifying streams of income is a clear, practical resource with real examples and real outcomes for raising arts funding
Integrity, initiative and innovative thinking are desirable characteristics in arts leaders, but in this rapidly evolving world it’s our future leaders’ approach to the changing society around us that needs re-evaluation.
Women in theatre are warned not to have children because motherhood will derail their careers, but in the US, a new movement is seeing parent artists advocating for change.
Writers, artists, podcasters: new opportunities are opening up for creatives every year as more and more companies increase their presence online.
A change of dancers for Sydney Dance Company, new Director at Adelaide Film Festival, and more.
Futurologist Rocky Scopelliti explores the rapid changes occurring in the modern workplace, and outlines ways workers can utilise the new industrial revolution to their advantage.
This show not only sizzles with supergiant energy but it’s a timely rebuttal to the whitewashing of Australian identity.
Six tips on creating an online presence that will help you make a living from your art.
James Dickinson, the new CEO of Screenrights, sketches a vision of evolutionary improvement.
An extravagant production of Puccini’s posthumous and deeply flawed masterpiece.
Australia's performing arts centres are increasingly focused on sector development and supporting the country's independent artists and the small to medium sector.
The small group of artistic directors of major Australian film festivals is once again complete.
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