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There is clear evidence that the kinds of culture Australians have access to depends on their social backgrounds, new research from Western Sydney University reveals.
Last year Opera Australia was boasting an operating surplus. Last month it was restructuring to cut 25% staff. And with the rise of video platforms, and new futures for theatres, the place of opera is being questioned.
Numerous question remain about the Federal Government's support of the arts sector during COVID, including the fact that the Minister will decide which grants to approve.
As part of Sydney Philharmonia Choirs’ 100th anniversary, the company premieres a new work celebrating Australia’s diversity composed by Elena Kats-Chernin.
In this excerpt from her longer article, studio and creative director Lucy Morris details the emotional cost of launching Starcolt's debut game, Best Friend Forever.
Avoiding the 'ghost gallery' trap when fundraising in a recession is tough. ArtsHub speaks with Megan Monte about getting the vision and support foundations right, for the soon-to-be built Southern Highlands Regional Gallery.
In the first of our new webinar series, presented in partnership with Creative Victoria, Patternmakers’ Tandi Palmer Williams discussed the latest data obtained from the Audience Outlook Monitor.
Perth already has a museum of Indigenous art and culture. With proper funding, it could be our national centre, joining the race against existing contenders in the NT and SA.
To celebrate 20 years of ArtsHub we look back at the article that launched our First Nations Arts Focus, exploring Blak writing in Australia – and how the publishing sector could offer better support to First Nations writers.
In the future, generations will need the means to understand how the coronavirus pandemic affected our world, so while museums are losing millions every week, they are committed to preserving coronavirus artefacts.
With a top drawer international career for over a decade, Sophie O’Brien takes on the position as Bundanon Trust’s Head of Curatorial and Learning. What does that perspective offer this historic site as it prepares for its future?
US author and academic Elizabeth Patton takes a look at the social history of the home office, to better understand the makeshift nature of workspaces at home.
Virtual production is an amazing toy for the big end of production, but a panel at Screen Makers sees wider opportunities.
Sick of lockdown, Netflix and the lack of stimulus that accompanies pandemic life? You're so not alone.
How can we have a meaningful cultural conversation when arts coverage in the media is on life support?
Isolation, exclusion and exhaustion are some of the issues facing First Nations, Black-identifying people and POC artists. Research conducted by Creatives of Colour takes a solution-based approach to the findings.
To celebrate 20 years of ArtsHub we look back at this 2018 article about artist activism and the role the arts play in social change.
Is it possible to stage a successful production when the director isn’t even in the same room as the performer? It can be done, but only with a lot of patience and a good sense of humour.
Ten ways to be part of the future. Because the COVID hiatus will be history.
The announcement of Walker’s directorship at Art Gallery of WA was slow in coming, but with it are a raft of questions about his vision for engagement, business philosophy, curatorial structure and unexpected thinking for 'a standstone'.
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