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Showing all news in Features
Repetition builds the canon, which is why it’s so important to remount rarely seen works like The Torrents and Cloudstreet.
How can we carry the past into the future? Collaborations between Yirramboi Festival and Pulima Art Festival offer a fresh take on land, body and Indigenous life today.
At MIPTV, quality matters, attendance down, changes coming, observes ACTF International Sales Manager, Roberta Di Vito.
Artists and artistic directors discuss the cabaret sector’s state of health, and offer advice for career development and sustainability.
One of the oldest forms of literary expression, poetry is not just surviving, it's thriving with festivals, diversity and, of course, Instagram.
After touring the world, Robin Fox’s laser show Single Origin is finally coming to Melbourne, and no, it has nothing to do with coffee.
Technology use is leading a wellness revolution and more authentic place making according to speakers at REMIX Sydney.
Creative Director Aarti Bajaj is creating an inclusive workplace as she rejects the words ‘white’ and ‘brown’ on the set of stage production Meera.
At Remix Sydney this year, Kim McKay spoke about museums finding new audiences and leading our national conversations.
Multi-disciplinary artist Janet Laurence reflects on what has changed in her 30-year journey of working with nature, and why Australia is still so far behind when it comes to healing and wellbeing.
An opera staged in a bathroom is delivering an important message about gender roles and equality.
ArtsHub sat down with Brook Andrew to unpack the motivations behind his selection of the first 33 artists for 2020 Biennale of Sydney, announced this week.
Alice Muhling, Executive Director at Emerging Writers' Festival, spoke with ArtsHub on ensuring 100% accessibility to all festival venues and her vision for the organisation’s future.
A three-day forum in Brisbane will interrogate the operatic form and consider opera’s place in contemporary culture.
As a self-appointed ambassador in a gold lamé suit, Lim takes conversations about identity, dislocation and racism into regional SA and NSW.
The criticism plaguing VR is that while it is great technology the content is dismal. Artists are pushing the form through new commissions at ACMI.
From small companies to peak bodies, we’ve canvased the country for expectations of the Federal Budget.
After a decade of steering the Art Gallery of WA through the highs and the lows, Director Stefano Carboni prepares to step down in July
Essentially a lobbying body, WA’s Chamber of Arts and Culture sits between and across government, business, philanthropy and arts organisations for effective policy change.
What drives a collector to amass artworks, build a multi-million dollar museum to house them, then happily hand it over?
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