$20,000 short film prize delves into State Library NSW’s collection

A new short film prize aims to encourage film makers to engage with the past, while helping to open up a creative resource to the public.
$20,000 short film prize delves into State Library NSW’s collection

The convex mirror, c 1916 by George Washington Lambert.

The State Library of NSW’s inaugural short film prize Shortstacks is about encouraging film-makers, but in a way that’s a little different from the norm.

‘All creation comes from someone’s engagement with something else,’ said State Librarian John Vallance. ‘Film making was one of the things that we’d never explored before, and it’s one of the things that we as a country excel at. We have some fantastic talent in Australia, and we want to encourage film-makers to engage with us and our collection.’

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Shortstacks is open to all ages and skill levels, whether established, emerging, or first-timers. Films must be under six minutes in length, but they can be in any format, any genre, and filmed on any device (including phones and drones). There’s just one catch: they must contain a reference to at least one of six selected items from the State Library of NSW’s collection.

‘We’ve chosen items that are representative of different parts of our collection,’ said Vallance. ‘We’ve got a huge collection of paintings, drawings, watercolours, photographs, manuscripts, books, all sorts of things. It’s an incredible collection and we want as many people as possible to come and explore it.’

The six items are currently on display in the Library’s new galleries. They include the manuscript for Dorothy Mackellar’s poem ‘Core of My Heart’ (which contains the iconic ‘I love a sunburnt country’ line), a letter written by a German detainee at Holsworthy Internment Camp in 1919, and painter Herbert Badham’s quirky take on mid-century home life, Domesticity.

‘He’s one of our great unsung early 20th century painters,’ says Vallance. ‘A lot of people had never even heard of him, so we wanted to try and encourage some interest in that.’

There’s also a pair of photographs from the State Library’s extensive collection. ‘Australian amateur photographers in the late 19th century and early 20th century were some of the best landscape portrait photographers in the world,’ says Vallance. ‘When photography was invented this library was collecting some of the very first photographs that were being taken anywhere in the world.’

The sixth item, a visually striking 1916 painting by George Lambert, was painted while the artist’s son was suffering from a severe infection.

‘I’d seen that one down in the stacks for many years, and I didn’t know about the story behind it,’ says Vallance. ‘That’s the sort of thing we’re hoping this creative challenge might bring to the surface, we’re really interested to see what people make of that.’

Prize categories

There are two prize categories; a $15,000 general prize category open to film-makers 18 years and older, and a $5000 youth prize for film-makers 17 years and younger.

‘We’re particularly keen to try and connect with a new generation of readers and visitors here,’ says Vallance, ‘so the part of the competition that’s aimed at young people we’re quite excited about.’

The winners will be announced at a special screening of the finalists at the State Library in June. The judging panel includes film critic and television personality Margaret Pomeranz, award-winning film-maker Michael Caufield, film and television critic Jason Di Rosso, and Tropfest’s youngest ever finalist, Nick Ward.

For Vallance, who stepped into the job of State Librarian 18 months ago, seeing the ways the film makers will interact with the library’s collection is going to be the real highlight.

‘One of the great delights of my job is being constantly surprised. It’s very much intended to be broad, the field is very much open, and I’m looking forward to what people come up with.’

Shortstacks is also about giving back to the community, and making them aware of a resource that, for a long time, largely went unrecognised.

‘This is Australia’s oldest library, we’ve been collecting since 1826. An uncharitable critic might say that for a while there the library kind of lacked relevance in the community, because people didn’t really know much about what was going on here. For us this is a really important way of reversing that. We’re inviting the people who own this library to get a sense of just what incredible riches they have here.’

To learn more about Shortstacks short film prize visit: www.sl.nsw.gov.au/about-library/awards/shortstacks

Anthony Morris

Tuesday 29 January, 2019

About the author

Anthony Morris is a freelance film and television writer. He’s been a regular contributor to The Big IssueEmpire MagazineJunkeeBroadsheetThe Wheeler Centre and Forte Magazine, where he’s currently the film editor. Other publications he’s contributed to include ViceThe VineKill Your Darlings (where he was their online film columnist), The Lifted BrowUrban Walkabout and Spook Magazine. He’s the co-author of hit romantic comedy novel The Hot Guy, and he’s also written some short stories he’d rather you didn’t mention.

You can follow him on Twitter @morrbeat and read some of his reviews on the blog It’s Better in the Dark.