VISUAL ARTS REVIEW:Jasper Knight - 1970s Disasters Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Book Review: Empirical by Lisa Gorton Gorton’s meditations take on a contemporary romanticism towards Melbourne and contrast it with the history of empire. On the Move: Latest appointments and departures Milk Crate Theatre appoints new CEO, new blood for The Wheeler Centre Board, MSO gains new staff, and Head of Dance appointed at NAISDA Dance College. Book Review: Wild and Crazy Guys by Nick de Semlyen A candid look at the rivalry and comradeship between some of Hollywood’s A-list comedians. Book Review: The Second-Worst Restaurant in France by Alexander McCall Smith McCall Smith can’t resist letting his characters ruminate on some ethical issues. (Premium content) Premium content Duncan McKay Monday 17 November, 2008 Jasper Knight - 1970s Disasters, Greenhill Galleries, (Perth). This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Jas Member login Email address Password Forgot password? About the author Duncan McKay is an emerging visual artist and arts writer, living and working in Perth, Western Australia. He has a Bachelor of Fine Arts from the University of Western Australia with Honours, and a Master of Creative Arts from Curtin University. Duncan’s arts practice utilises installation, drawing, painting and assemblage and he has shown work in group and solo exhibitions since 1998. In addition to his own art practice, Duncan has a passion for engaging critically with Art, with a particular interest in the art of the Modern period and also in the place and predicament of contemporary artists working today in Australia and elsewhere. He enjoys spending time with his family, especially his newborn baby girl and old cat Samuel.