Creative fundraising in the regions: how you do it Print Email Email to a friend Your email Your name Friend's email Friend's name Verification Please prove your humanity Go on prove it :) Close Related Articles Review: Soul of the Border by Matteo Righetto Without supplementing their earnings by smuggling tobacco, the de Boers family cannot survive. ICYMI: A wrap of this week’s arts news New public art at Carriageworks, latest program announcements, a ground-breaking Indigenous education program, Live Music Census results, and more. Review: Mad, Bad, Dangerous to Know by Colm Tóibín By picking the fathers he did, Tóibín has made a brilliant choice and has produced an exceptional biographic work. On the Move: latest appointments and resignations (locked) New appointments for Monash Centre for Theatre, Queensland Music Festival, Symphony Services Australia, Regional Arts Australia, Monkey Baa Theatre Company, and more (Premium content) Premium content Gina Fairley Monday 26 November, 2018 A panel of experts offers five lessons in leveraging your networks and finding alternative funding streams in order to grow sustainability in regional arts. This content is only available to members of ArtsHub Join Now for instant access! A subscription to ArtsHub will enable you to: Access the most comprehensive jobs board for the arts sector, with hundreds of positions posted weekly Keep up to date with the latest industry news Access thousands of members-only features, articles and guides Be in the know with upcoming events and exhibitions added daily Learn how and where to get grants, with the most extensive grant finder ... and much, much more. Join Now and join the Australian arts community today Image via Shutterstock Member login Email address Password Forgot password? About the author Gina Fairley is ArtsHub's National Visual Arts Editor. For a decade she worked as a freelance writer and curator across Southeast Asia and was previously the Regional Contributing Editor for Hong Kong based magazines Asian Art News and World Sculpture News. Prior to writing she worked as an arts manager in America and Australia for 14 years. She is based in Mittagong, regional NSW, and you can follow her on Twitter @ginafairley and Instagram at fairleygina.